Wednesday, June 27, 2012

*New Pics*Robert Pattinson in 'Cosmopolis'+ Visual Effects Details Inside Limo/Hand Shot

What is your background? I started in design and compositing and then moved into directing mainly for commercials and music videos before winding up a senior compositor and visual effects supervisor here at Mr. X. Mr. X have collaborated on many David Cronenberg movies. How was this new collaboration? Fantastic, as always. David, as well as being an amazing director, auteur and agent provocateur, is incredibly open and approachable on the visual effects front. He knows exactly what he wants, which in itself makes our lives so much easier, but is also very collaborative as to how we get there.

What was his approach about the VFX? Because we had an established relationship he trusted us completely as to how to execute the effects. He had very specific ideas about the monitor designs and which driving backgrounds went where but left most of the technicalities to us.==== What have you done on this movie? We executed 385 vfx shots on COSMOPOLIS. The vast majority were driving composites where plates were shot inside the limousine with greenscreen outside the windows and we composited in matched perspective plates of Toronto standing in for New York City. In addition to that we also created content of both a graphic and live action nature for the various monitors inside the limo and some gunshot and knife wounds. === The movie features a huge amount of driving composites. Have you developed a specific methodology for these shots? Yes and no. We did have a methodology for the driving composites however it was not developed specifically for this movie but adapted from the wealth of experience we have accumulated compositing these types of shots in the past. ==== How were filmed and organized all these backgrounds? For each sequence inside the limo, background plates were shot on camera car driving through different locations in Toronto matching the angles from the performance footage. Because of the many different angles we could not match each of them exactly so we shot angles that could be manipulated into working for more than one performance angle and digitally adjusted them to work for each specific shot. All the background plates were then organized in our pipeline database with their respective performance sequences. == Have created some previz for the driving composites? No there was no previzualization required for COSMOPOLIS. Sometimes Eric Packer occults the windows limo. Was there an on-set effect or is it your work? It was a combination of both, actually. Initially that was to be a practical effect but David wanted to have options as to when the windows became fully opaque and when they returned to tinted transparency. To this end he shot the parts of the sequences where he was certain they would be opaque practically but left numerous shots on the front and back end of those shots as greenscreen. This allowed him much more control as to the timing of when the windows fell into darkness and for how long and gave us references as to what they would look like fully darkened.=== What references and indications did you received for the limo screens? The production design team pulled many different references of stock market screens but also other data mining graphical interfaces and elements that seemed technically cool and relevant. They also created a number of preliminary designs according to David’s vision of what Eric’s high tech monitoring system might look like.===
Can you tell us about the design of the various screens inside the limo? The character of Eric sees much more than just price and volume variations. He has a unique ability to look at the many different patterns that the volatility of the stock, commodity futures and money markets generate, analyze them and predict where they will end up in the near future. Keeping that in mind we started with the production design references and adapted them, adding our own design elements and animations to create more visually interesting screens than might normally be seen on a trader’s monitor. === Click HERE to read the rest.
Source: TheArtOfVFX

0 comments: